Pittsburgh is insane. Relaxing in DC.

^ That’s definitely against copyright law. Hope they don’t catch me.

Anywho! I’m in Washington DC right now after leaving from Pittsburgh on a 10:30am bus, arriving here at 4:30pm, seeing the Capitol Building and the Smithsonian whats-it-called for the first time, and playing the awesome Takoma Park Open Mic as a featured performer. Rob Hinkal from IlyAIMY hooked me up, and they’re awesome. Check them out! http://ilyaimy.com/

Matt Holden from Legs Like Tree Trunks gave me the best time in Pittsburgh that I could ask for. I’m so tired that I’m not going to write too much, but it involved awesome hot dogs, tons of bricks, Cat House, Ursa Major, Tim & Eric jokes, and much, much, more. Here are some pictures. Enjoy!


That’s all for now. Next stop: KNOXVILLE TENNESSEE!

IT HAS BEGUN!

I’m en route to Pittsburgh right now typing this in Microsoft Word because the Megabus doesn’t know how to turn on their WiFi. Regardless, it’s a nice ride. I boarded at 8:10am, and just left the Harrisburg stop. It’s around 10:30am, and it’s super nice outside. There plenty of trees and nice people on the bus. Speaking of trees, I’m meeting up with Matt Holden from Legs Like Tree Trunks when I arrive into Pittsburgh. I’m also playing with them tonight at Cat House. I wonder what cool things there are to do in the city… too bad I don’t have WiFi right now…

Before I go into that, however, I wanted to talk about how awesome Thursday night was. It was my tour kickoff with folk singer/songwriters Brittany Ann (Philly) and Anthony Da Costa (NYC). It was at The Clubhouse, home of Ryan Tennis (another awesome singer/songwriter). His house is unbelievable. It costs a little bit more for entry, but it’s totally worth it. There are tons of mixed drinks and a keg, some food, and an awesome backyard for having shows. His backyard is totally enclosed with intimate lighting and a pleather of lawn chairs. It’s like being indoors, except there are stars and weird outdoor Philadelphia noises. Everybody should check out Brittany, Anthony, and Ryan’s music- they’re all extremely talented folks.


The show at The Clubhouse ended around 2:00am, and I was planning on riding my bike home. What I wasn’t planning, however, was to fall on my face and have blood pouring out of it for the remainder of the ride. I got caught in the infamous trolley tracks on 12th street and flipped over the handle bars. I’m proud to say that I’m playing tonight with fat, Angelina-Joli-inspired lips and cuts all over my face. Did I mention that I hit my shoulder really hard when I fell as well, and now I have to carry a huge duffel bag on it? The tour gods are testing me. Here’s a picture of my wonderful bloody face. Cheese!

I met this dude named Adam on the bus. He cut off his middle finger and got it sewn back on. Now he’s practicing his typing.

There’s a girl in front of me with some killer patches on her denim jacket. She’s pretty. I commented on the patches and she smiled and flexed at me. Hell yes. I’m probably going to run into lots of pretty strangers. Wooooh!


The show tonight starts at 8pm, and I’m playing second, I believe. Legs Like Tree Trunks, Ursa Major, and Ivory weeds are also on the bill. The Cat House is on 3215 Ward Street in Pittsburgh, PA. I’m super excited! I’ve only been to Pittsburgh one other time, and it was with my old band, So Long, Pluto. We played this weird house in Oakland and I slept in a hammock.

I’m going to update this later with how the show went. Hopefully I can post my blog entries when I actually want to, rather than waiting to get somewhere because Megabus can’t learn how to do WiFi. Dumbies.

Oh yeah, feel free to call me/text me while I’m on this tour. I’m going to be all over the place and will more than likely have some downtime in the afternoons. 570-445-0988.

 

Cheers!

Where to begin…

Oh, PhilaMOCA. Oh, Philadelphia. Oh, joy. I’ve been trying to think of what to say about last night. I deleted the first paragraph of this entry about 5 different times, because I didn’t know how to start this. Nothing that I wrote seemed to go hand-in-hand with how last night went. And, the more I think about it, the more I think words kind of suck for this type of thing. And now, the first paragraph of this entry is… well, this.


On to the second paragraph. Since I woke up yesterday morning, I was in this weird blur about how the night was going to. I rehearsed with the band, and they sounded fantastic. I thought we were going to have to work out the kinks and tighten up the band, but everybody knew their parts. Everybody fit. It was unreal how prepared my band was, and it made me so excited. But, I was still in a blur that I couldn’t get myself out of.

I think the reason I couldn’t think straight was because I was in a weird state of half-disbelief and half-nervousness. I rented out the space, booked the bands, wrote the parts for my backing band (I hate that term, by the way. I wrote the parts for my band*), organized the door-people, set up the stage… I was directly responsible for this show, and I was absolutely freaked. I was totally wired and anxious for the first couple of bands, trying to make sure everything was working out well and everybody was content/happy with their attendance. It was about everybody else but me, in my eyes.


Carl, the engineer for “We All Walk Fast and Nod in Unison”, noticed it. He came up to me and said “Chet, what are you doing? This is YOUR night. This is the culmination of all your hard work. Your time to shine. You need to relax and enjoy all of this”. I couldn’t thank him enough for that, because I took his advice. I also decided to drink a little more! But, it made me realize that everybody in attendance was a good person, and good people work things out themselves and “run the night”, so to speak. I didn’t have to be responsible for everything, even though I technically “was”. Everything was going to work out, and by the time Old People played, I was happier than I was in a very, very long time. By the time I was on stage (after A Fire With Friends played, who blew me away, as always), I was ecstatic. It was almost as if I didn’t care if we played the best show. I just wanted it to sound good, even though my mindset the past few months was to make it “bigger” and “better”. I just wanted people to hear my music and play my music in a totally natural way.

Then the set happened.

Then it was over.

Then the hugs commenced. The joy commenced. The aftershock of everything I’ve been working on for years all came together, and I realized that I did it. I didn’t know what I did, and I still don’t know. But I know something happened last night that I wasn’t expecting. There was an idea conveyed that reached farther than the music itself, and feeling somewhat responsible for something like that made me feel something I never felt before. I felt like I was in a community of strangers that, at the same time, I’ve always known. I felt like I was in the midst of something that was only going to get better. On top of everything, I felt complete. It was a weird sort of completion, as if everything I’ve been working on, every instant of conversation with my friends, every basement I’ve played, every show I’ve attended, everyone I’ve met in college/Philadelphia so far… it all made sense. It makes so much sense now that last night happened. It had to happen for me. I have a rejuvenated feeling of love for basically everything. Music in general, the music scene, the people within it, the audience, the venues, the genres, and anybody else responsible for it… it’s perfect.


I didn’t know where to begin with this. Those are the words I thought of for last night. For those of you not in attendance, I don’t know if this conveyed an adequate description. Maybe it even overstates last night for some people… but, for me, it was the beginning of something. God knows what that something is, but I’m so excited to find out. And I hope that future events make me think about my words more. I think my goal is to be in such a high degree of shock that a tumblr entry is impossible to create. This one was very hard.

Thank you, thank you, thank you.

-Chet Williams

Do what he says.

Do what he says.

This sums up my entire outlook on being a musician.

This sums up my entire outlook on being a musician.

I wish that you’d leave me alone

Even though I can’t recall the last time we spoke

I don’t want to talk through this phone

It gets all confused and I don’t say what I want

I’ll jump out of my suffering head

And try to care for your struggling heart

If I ever lift myself out of bed

But my knees are so weak from the times in the car

My knees are too weak from the times in the yard

My knees are still glued to my bed in the dark

Follow me around the path to nowhere

We can still be friends, especially tonight

I think that we’re great

We’re everything I want

But I’ll never really want to talk


Fossilized hearts

Will never tear apart

They stay just as they are

Regardless of

How much they’re loved.

I’ve been writing sad things. I don’t feel that sad though. I tend to write happy things when I’m sad and vise-versa. Maybe it’s my creativity balancing myself out. Or maybe I’m just odd.

Agreed.

Agreed.

epetrini:

Another Illustration from last semester. “1905, Year of the bomb” 

epetrini:

Another Illustration from last semester. “1905, Year of the bomb”